There are so many intriguing things about Unrest’s final full-length, it’s hard to even know where to begin.

The Robert Mapplethorpe portrait of musician/journalist Cath Carroll on the cover, the rich history of lead singer Mark Robinson’s Teen-Beat label, Duran Duran’s Simon LeBon as producer, the fast and catchy pop perfection of songs such as “Make Out Club,” the mention of “no guitar effects or synthesizers used on this recording” — there’s so much to take in and digest. However, we’re just going to ignore all of that and focus on the very fitting Pump Triline typeface by British designer and typographer Philip Kelly, who is still independently producing typefaces today.

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